O Esperanza! Si dà il caso che la mia clown interiore sia piena di speranza. Vuole un martelletto. Vuole stampigliare il suo nome su un martelletto di legno: Il Martelletto di Esperanza. Le clown, da …
HAT It’s not easy to wait for The head of right size To hang from birth In a window of an old shop Whose former owner Reposes under the earth Eschatologically bald It’s even harder …
Were you there? Were you there? Yes, a voice says. Did you also do The same bad things? Yes, a voice says. You’re crying. Where are they, those Who could forgive you? Are you really …
Il corpo per cui scrivo è singolare & plurale, vuole guardare una balena per ore senza ragione, lucida misteriosa neroblu s’alza e ricade, ascolta il suo corno eterno e solitario ammaliante archivio d’oceano. la liscia …
Introduction Why a metaphysics of the plague? Because the plague is a phenomenon that pertains to nature, but cannot be explained on a purely natural basis. There is something fated, in the plague, something like …
In previous articles, I have attempted to work out the elective affinities between Gadamer and Dewey and also between Dewey and Marx. It remains to construct the base of this triangle by drawing a line …
Florence was a city of merchants before becoming an artistic and architectural gem through the foresight of those very merchants. Its gold florin, first minted in 1252, made it the most important commercial center in …
Nell’estate del 1916 un gruppo di artisti discute animatamente al caffè delle Giubbe Rosse, in piazza della Repubblica a Firenze. Tra di loro Filippo Tommaso Marinetti, scrittore e giornalista, Giacomo Balla, pittore, Arnaldo Ginna, pittore …